The book is not a new-and-selected, though some nonsong poems have previously appeared in earlier books and may find new life here. Harjo records and performs music frequently, but some of the songs here do not translate well to the page (“One day I will be tough enough/ One day, I will have love enough/ To go home”). Harjo’s long lines, short prose paragraphs, and song-like lyrics record her Muskogee heritage, her love of jazz (“there’s something about a lone horn player blowing ballads at the corners of our lives”), and her high hopes for poetry itself, which creates a means of personal rescue (“we sang our grief to clean the air of turbulent spirits”) and a new moral high ground (“songs that aren’t paid for/ By the money and influence/ Of rich, fat, corporate gods”). Big but fast-moving, and inviting as it expresses tenacity and outrage, Harjo’s first collection of verse since her 2012 memoir, Crazy Brave, will please herįans.
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